Reported by: Ijeoma G | Edited by: Gabriel Osa
Lagos State authorities have launched a detailed and ongoing investigation into the unexplained deaths of two film crew members who were found unresponsive inside a vehicle while working on a movie production in the Lekki area of Lagos State, Nigeria. The deceased have been formally identified as Ekemini “GeeTee” Imeh, a respected lighting director and chief executive officer of a prominent lighting company, and Ayodeji Walter Odediran, a creative video director and colleague. Their deaths were discovered on Saturday, 7 February 2026, during filming activities at Evercare Hospital, Lekki Phase 1, Lagos. Law enforcement agencies are treating the incident as mysterious and are pursuing all lines of inquiry to establish what occurred.
According to verified reports from Nigeria’s major news organisations, the two men arrived at the movie location in the early hours of the morning to install lighting equipment ahead of scheduled filming. After completing their technical setup around mid‑morning, they reportedly retreated into a tinted Nissan vehicle parked within the hospital premises to rest and await further instructions. At approximately 11 a.m., a production staff member delivered breakfast to them inside the car. At that time they appeared relaxed, and the vehicle’s air‑conditioning was operating, with no signs of distress or concern observed by crew members.
As the day wore on and film production continued, colleagues and family members attempted to reach both men by phone but received no response. Initially, their absence was assumed to be a temporary pause typical on long production days, where personnel sometimes rest between shoots. However, as evening approached and routine communication remained unanswered, alarm grew among the film crew. After filming wrapped between 7 p.m. and 8 p.m., staff discovered the two men were no longer responsive. When the Nissan was opened, both Imeh and Odediran were found dead inside.
Police sources have described disturbing details from the scene that have deepened questions about the cause of death. One officer said both men were found with visible physical indicators such as foaming at the mouth and traces of blood around the nose and lips, suggesting a sudden and unexplained medical event. These details prompted investigators to treat the scene with heightened scrutiny, preserving evidence and initiating standard forensic procedures.
The case was initially reported to the Maroko Police Station, but due to its unusual nature and the need for specialised analysis, responsibility was transferred to the State Criminal Investigation Department (SCID) in Panti, Yaba. The SCID has assumed command of the inquiry and is coordinating forensic examinations, including autopsy and toxicology tests, to determine the underlying cause of the fatalities. Lagos State Police Public Relations Officer Abimbola Adebisi confirmed that these scientific investigations are under way and that police are reviewing all possibilities before drawing conclusions.
Investigators are conducting a methodical review of evidence from multiple angles. Closed‑circuit television (CCTV) footage from the hospital’s premises is being assessed to reconstruct the timeline of events and verify movements around the vehicle throughout the day. Forensic teams are also inspecting the mechanical state of the car — particularly the air‑conditioning system and any potential points of failure — and collecting samples that may indicate exposure to toxic substances.
In addition to environmental and mechanical factors, police have questioned key individuals associated with the production. This includes the film’s producer, identified in reports as a former reality television personality, as well as the caterer who delivered breakfast and the staff member who brought the food to the vehicle. Authorities have emphasised that these interviews are aimed at establishing precise timelines, consumption history, and any other contextual information that might help explain the deaths.
While official sources have not yet linked the deaths to any specific cause, several theories have emerged in public discussion and among observers. One hypothesis under consideration is environmental exposure, since heavy‑duty diesel generators commonly used on film sets can emit toxic fumes that may accumulate in enclosed or semi‑enclosed spaces, posing a risk of poisoning. Another line of inquiry revolves around the food consumed by Imeh and Odediran, although toxicology reports will be required to assess whether contamination or poisoning played a role. Police have not confirmed either scenario but have indicated that all potential causes remain under examination.
The sudden and unexplained nature of the deaths has reverberated through the Nollywood community, where both men were regarded as highly skilled and well‑respected professionals. Imeh was known for his technical contributions to major Nigerian films and high‑profile music videos, while Odediran had built a reputation as a collaborative creative director. Industry colleagues have expressed shock and grief, calling for transparency and thoroughness in the ongoing investigation.
Family members have also voiced concern over initial responses and delays in clear communication. Relatives have urged police to ensure that autopsy results and investigative findings are shared promptly and that no plausible explanation is overlooked. The bereaved families are seeking closure and a full account of what transpired during the silent hours between mid‑morning and evening when their loved ones were last seen alive.
The Lagos State Police have reiterated their commitment to conducting a professional, science‑based inquiry and have pledged to share conclusive findings once laboratory analyses and investigative processes are complete. As the case remains open, there is widespread anticipation for answers that will resolve uncertainty about what led to the deaths of Imeh and Odediran and whether any procedural or safety lapses occurred that could inform future protective measures on film sets and similar work environments.
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